PROGRAM
| Beethoven | Lieder |
| Creston | Sonata for alto saxophone, Op. 19 |
| Dahl | Concerto for alto saxophone |
World-renowned saxophonist Branford Marsalis, born in 1960, has always been a man of numerous musical interests, from jazz, blues and funk to such classical music projects as his Fall 2008 tour with Marsalis Brasilianos. The three-time Grammy winner has continued to exercise and expand his skills as an instrumentalist, a composer, and the head of Marsalis Music, the label he founded in 2002 that has allowed him to produce both his own projects and those of the jazz world’s most promising new and established artists.
The New Orleans native was born into one of the city’s most distinguished musical families, which includes patriarch/pianist/educator Ellis and Branford’s siblings Wynton, Delfeayo and Jason. Branford gained initial acclaim through his work with Art Blakey’s Jazz Messengers and his brother Wynton’s quintet in the early 1980s before forming his own ensemble. He has also performed and recorded with a who’s-who of jazz giants including Miles Davis, Dizzy Gillespie, Herbie Hancock and Sonny Rollins.
Known for his innovative spirit and broad musical scope, Branford is equally at home on the stages of the world’s greatest clubs and concert halls, where he has performed jazz with his Quartet and his own unique musical approach to contemporary popular music with his band Buckshot LeFonque. In recent years, Branford also has become increasingly active as a featured soloist with such acclaimed orchestras as the Chicago, Detroit, Düsseldorf and North Carolina Symphonies and the Boston Pops, in a growing repertoire that includes compositions by Copland, Debussy, Glazunov, Ibert, Mahler, Mihaud, Rorem and Vaughan Williams.
As Marsalis continues to establish his presence in the classical realm, his propensity for innovative and forward thinking compels him to seek new and challenging works by modern classical composers. One such composer, Sally Beamish, after hearing Branford perform her composition “The Imagined Sound of Sun on Stone” at the 2006 North Sea Jazz Festival, was inspired to reconceive a piece in progress, “Under the Wing of the Rock,” which he premiered as part of the Celtic Connections festival Beamish’s home country of Scotland in January 2009. This performance followed on the heels of his two month classical tour with the Philarmonia Brasileira in a program featuring the music of Brazil’s master composer Heitor Villa Lobos and his friend, French composer Darius Milhaud, allowing the saxophonist the opportunity to more thoroughly engage the music and make it his own.
Marsalis’s nearly two dozen recordings in these various styles have received numerous accolades, with his latest CD, Metamorphosen, scheduled for release in March 2009. Metamorphosen marks the tenth anniversary of Marsalis’ quartet, which features pianist Joey Calderazzo, bassist Eric Revis and drummer Jeff “Tain” Watts, and includes original compositions by all four members in a variety of moods, as well as features for Marsalis on tenor, soprano and alto saxophones.
His previous disc, the Grammy-nominated Braggtown, was acknowledged as his quartet’s greatest recorded achievement to date. The Marsalis quartet’s Eternal also received a Grammy nomination as well as virtually universal inclusion in lists and polls for the best jazz recording of 2004. Marsalis’ playing on the DVD Coltrane’s ‘A Love Supreme’ Live in Amsterdam also received a Grammy nomination for best instrumental jazz solo, while also garnering awards for music and video excellence from the DVD Association.
Marsalis is also dedicated to changing the future of jazz in the classroom. He has shared his knowledge at such universities as Michigan State, San Francisco State, Stanford and North Carolina Central, with his full quartet participating in an innovative extended residency at the NCCU campus. Beyond these efforts, he is also bringing a new approach to jazz education to student musicians and listeners in colleges and high schools through Marsalis Jams, an interactive program designed by Marsalis in which leading jazz ensembles present concert/jam sessions in mini-residencies. Marsalis Jams has visited campuses in the Northeast, Mid-Atlantic, Southeast and Southwest, and established an ongoing Marsalis Berklee Jams series with the Berklee College of Music in 2008.
These diverse interests are also reflected in Marsalis’ other activities. He spent two years touring and recording with Sting, and was the musical director of The Tonight Show with Jay Leno for two years in the 1990s. He has collaborated with the Grateful Dead and Bruce Hornsby, acted in films including Throw Mama from the Train and School Daze, provided music for Mo’ Better Blues and other films and hosted National Public Radio’s syndicated program Jazz Set.
Among the most socially conscious voices in the arts, Marsalis quickly immersed himself in relief efforts following the devastation of Hurricane Katrina. He is the honorary chair of the New Orleans Habitat for Humanity effort to rebuild the city, and together with his friend Harry Connick, Jr. conceived the Habitat Musicians’ Village currently under construction in the city’s historic Ninth Ward.
Whether on the stage, in the recording studio, in the classroom or in the community, Branford Marsalis represents a commitment to musical excellence and a determination to keep music at the forefront.
Ned Kirk, pianist, is a native of Redding, California, where he received his early musical training. For the past 25 years, Kirk has performed extensively as a soloist and chamber musician with performances in Europe, Africa and Asia as well as the United States. 2011-2012 engagements include recitals with legendary saxophonist Branford Marsalis, a second State Department-sponsored tour of Kenya, and recitals and master classes in the United States, Taiwan, Hong Kong and China.
Kirk has collaborated with numerous outstanding musicians, many of whom serve as conductors and principles in major orchestras around the world – Michala Petri, Michael Christie, Kevin Kenner, Qian Zhou, Li-Wei Qin, Lionel Tan, Charles Kavalowski, Glenn Einschlag, Olav Van Hezewijk, Ron Ephrat, Jeffrey Work, David Jones, Lisa-Maree Amos, Daniel Rothmuller and Donald McInnes.
Since 2007, Kirk has served as artistic and managing director of the Minnesota Beethoven Festival, a three-week festival which features many of the world’s most important concert artists. Kirk also served as orchestral pianist for the Colorado Music Festival from 2002 to 2004, was a faculty member at the Marrowstone Music Festival and spent four summers teaching piano master classes to students from rural Alaska at the Sitka Fine Arts Institute in Sitka, Alaska.
Kirk studied at the Peabody Conservatory of Music, the University of Massachusetts – Amherst, and holds a doctorate degree from the University of Washington. His piano and chamber music coaches have included Craig Sheppard, Walter Hautzig, Nigel Coxe, Earl Carlyss, Tinka Knopp, Lillian Freundlich, Estela Olevsky, Charles Treger and Yefim Bronfman.
In addition to his work with the Minnesota Beethoven Festival, Kirk is also professor of piano and chair of the music department at Saint Mary’s University in Winona, Minnesota. www.nedkirk.com
.
Sunday, July 1, 3:00 p.m.
Branford Marsalis, saxophone & Ned Kirk, piano
Somsen Auditorum, Winona State University
$25, $21 students and senior citizens
